Summary
This Success Criterion ensures that users with disabilities are not rushed to perform tasks on digital interfaces. It allows for turning off, adjusting, or extending time limits except where necessary, ensuring the website functions remain fully accessible and non-discriminatory for all users.
Lyrics
VERSE 1: Down by the harbor where the boats come in I watched old Charlie with his weathered skin Try to use that fancy map upon the screen But his hands ain’t steady like they used to been Two point five point seven, that’s the way Every soul deserves to sail today When dragging’s hard with trembling hands so worn There’s got to be another way by morn
CHORUS: No need to drag me down, just tap and click around From the lighthouse to the shore, everyone needs an open door Single pointer’s all we need, simple actions guaranteed No need to drag me down, there’s always another way to town
VERSE 2: Sarah uses her head pointer to navigate the bay Can’t hold and move like others, but she finds her way A slider needs a text box standing by its side Click to set the anchor where the ships can hide Not just keyboards for the landlocked few Touch screen sailors need alternatives too From color wheels to sorting lists so long Every interface can sing inclusion’s song
CHORUS: No need to drag me down, just tap and click around From the lighthouse to the shore, everyone needs an open door Single pointer’s all we need, simple actions guaranteed No need to drag me down, there’s always another way to town
BRIDGE/OUTRO:** So when you’re building bridges ‘cross the digital sea Remember those with different abilities Two point five point seven guides us true Making sure the web works for me and you One click here, one click there That’s how we show we care
Sound Influences
canadian maritime folk, acoustic guitar fingerpicking, traditional folk melody, baritone vocals, historical narrative lyrics, sea shanty influences, story-song structure, unaccompanied vocal harmonies, canadian folk tradition, nautical themes, minor key passages, parlor guitar style, close-mic intimate recording, solo performance, ballad tempo, celtic folk influences
Version Number: 1.2